Events

Matthew Passion: Boston Early Music Festival

From the intractable swell of the opening chorus to the profound solemnity of the last, its tone one of quiet resignation, the Matthew Passion is a work with the power to move us like no other. Bach conceived it on a grand scale, allowing for double chorus and double orchestra, and the themes it explores are just as monumental too. How each of us, of all faiths and none, can find joy and hope even amidst the depths of sorrow.

For this, Dunedin Consort’s first appearance at the Boston Early Music Festival, the group is joined by Kris Bezuidenhout, who directs from the keyboard in the work’s original format of one voice per part.

B Minor Mass

The B Minor Mass is one of Bach’s greatest curiosities. A true piece of musical patchwork, this extraordinary amalgamation of arrangements, recomposed fragments and new ideas together spans more than 25 years of Bach’s career. And yet, Bach never heard it performed. Nor did he expect to – since it fits neither the Catholic or Protestant liturgy, its purpose remains tantalisingly elusive. But in its scale, ambition and dramatic, inexorable unfolding, the B Minor Mass remains one of his most monumental works, a remarkable testament from Bach’s final years.

Part of a Martin Randall Travel tour – The Johann Sebastian Bach Journey (please note that this event is not on sale to the general public).

Bach: The Last Resort

Bach’s rich musical legacy as we know it today is partly the result of a historical accident. When he applied for the position of Kantor at Leipzig’s Thomaskirche in 1722, Bach was only third choice for the post. Telemann turned the offer down after some deliberation and Graupner was not released from his post of Kapellmeister in Hesse. ‘Since we cannot get the best, then we will have to settle for average’, the Council concluded, as it handed the title to Bach. Join us as we step back in time and explore the programme that Bach put together for this fateful application, a move that would shape the history of western music for centuries to come.

Bach: The Last Resort

Bach’s rich musical legacy as we know it today is partly the result of a historical accident. When he applied for the position of Kantor at Leipzig’s Thomaskirche in 1722, Bach was only third choice for the post. Telemann turned the offer down after some deliberation and Graupner was not released from his post of Kapellmeister in Hesse. ‘Since we cannot get the best, then we will have to settle for average’, the Council concluded, as it handed the title to Bach. Join us as we step back in time and explore the programme that Bach put together for this fateful application, a move that would shape the history of western music for centuries to come.

Bach: The Last Resort

Bach’s rich musical legacy as we know it today is partly the result of a historical accident. When he applied for the position of Kantor at Leipzig’s Thomaskirche in 1722, Bach was only third choice for the post. Telemann turned the offer down after some deliberation, and Graupner was not released from his post of Kapellmeister in Hesse.

‘Since we cannot get the best, then we will have to settle for average’, the Council concluded, as it handed the title to Bach. Join us as we step back in time and explore the programme that Bach put together for this fateful application, a move that would shape the history of western music for centuries to come.

Matthew Passion

From the intractable swell of the opening chorus to the profound solemnity of the last, its tone one of quiet resignation, the Matthew Passion is a work with the power to move us like no other. Bach conceived it on a grand scale, allowing for double chorus and double orchestra, and the themes it explores are just as monumental too. How each of us, of all faiths and none, can find joy and hope even amidst the depths of sorrow.

We welcome Trevor Pinnock, a towering figure of the early music movement, to Dunedin Consort for the first time. He will conduct the work in its original format of one voice per part.

Matthew Passion

From the intractable swell of the opening chorus to the profound solemnity of the last, its tone one of quiet resignation, the Matthew Passion is a work with the power to move us like no other. Bach conceived it on a grand scale, allowing for double chorus and double orchestra, and the themes it explores are just as monumental too. How each of us, of all faiths and none, can find joy and hope even amidst the depths of sorrow.

We welcome Trevor Pinnock, a towering figure of the early music movement, to Dunedin Consort for the first time. He will conduct the work in its original format of one voice per part.

B Minor Mass

The B Minor Mass is one of Bach’s greatest curiosities. A true piece of musical patchwork, this extraordinary amalgamation of arrangements, recomposed fragments and new ideas together spans more than 25 years of Bach’s career. And yet, Bach never heard it performed. Nor did he expect to – since it fits neither the Catholic or Protestant liturgy, its purpose remains tantalisingly elusive. But in its scale, ambition and dramatic, inexorable unfolding, the B Minor Mass remains one of his most monumental works, a remarkable testament from Bach’s final years.