Symphony – Andante
Chorus – Awake the trumpet’s lofty sound (Large Chorus)
Chorus – Awake the trumpet’s lofty sound (Small Chorus)
Aria – Total eclipse
Aria and chorus – Return, O God of hosts!
Aria – To fleeting pleasures make your court
Chorus – Hear, Jacob’s God (Large Chorus)
Chorus – Hear, Jacob’s God (Small Chorus)
Aria – Thus when the sun
Aria – How willing my paternal love
Aria – Let the bright seraphim
Chorus – Let their celestial concerts all unite (Large Chorus)
Chorus – Let their celestial concerts all unite (Small Chorus)
Bach’s iconic cantatas
John Butt directs Dunedin Consort in this collection of three of Bach’s finest cantatas. Together, they explore the timely themes of consolation and salvation. Having previously received exceptional critical acclaim for recordings of Bach’s Mass in B minor (which was named a Benchmark Recording by BBC Music Magazine) and John Passion (nominated for both a 2014 ICMA and a 2013 Gramophone Award), Dunedin Consort now cements its impressive Bachian credentials with these three cantatas.
Bass Matthew Brook takes centre stage in the melancholic yet optimistic Ich habe genug, with soprano Joanne Lunn joining him to portray the searching dialogue of Jesus and the Soul in the profoundly beautiful Liebster Jesu, mein Verlangen. Known as ‘Actus Tragicus’, the early cantata Gottes Zeit ist die allerbeste Zeit is an altogether grander affair. Likely intended for a funeral, it stands out in Bach’s output both for its sublime choruses and its unusual instrumentation – notably the two oscillating recorders in the introduction, which set the tone for one of Bach’s most heartfelt and quietly uplifting cantatas.