Keith Bruce, The Herald
Dunedin Consort stalwart Matthew Brook was as reliable as ever as Manoa, Samson’s father, and John Butt’s expanded instrumental ensemble similarly superb, a very grand chamber organ (played by Stephen Farr) at the centre.
However, it was noticeable how many young singers were part of the 24-strong chorus, while tenor Hugo Hymas and soprano Louise Alder sparkled in smaller roles. Alder, of course, made her Festival debut with the Dunedin Consort two years ago as a last minute replacement for Danielle De Niese, singing Handel, and here she had cameos at the beginning and end, including a couple of a cappella moments and the score’s best known tune, Let the Bright Seraphim. Even it was outshone by the glorious choral hymn that brought the work to a conclusion.
Read the full review here.