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Messiah
When Handel’s Messiah was first unveiled to the public in 1742, it caused a sensation. Dublin’s Musick Hall was so full that the men attended ‘without swords’ and the ladies were asked to wear skirts ‘without hoops’ to make room for more listeners. The press declared a triumph: ‘The Sublime, the Grand, and the Tender... conspired to transport and charm the ravished Heart and Ear.’ More than 250 years on, it still holds a remarkable place in the repertoire, its…
Find out more »Beginning of the Revolution
Every chapter of history has its turning point, every revolution its leader. The revival of historically informed performance – the lifeblood of what we do at Dunedin Consort – owes much to Arnold Dolmetsch, a fanatical instrument collector who in pioneering the early music revival of the late-nineteenth century ‘opened the door to a forgotten treasure-house of beauty’. Join us as we recreate one of the performances that kick-started this remarkable revolution, where music by Purcell, Handel, Kuhnau and Rameau…
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