
Nicholas Mulroy director
In times of isolation we find ourselves longing for community — for acts of kindness, understanding, and generosity of spirit. Few texts seem more fitting just now than the opening of the Lamentations of Jeremiah: ‘How lonely sits the city that was full of people! How like a widow has she become, she who was great among the nations!’
As we come to terms with a prolonged period of social isolation, we reflect upon these themes in music from the Renaissance to the present day. From Orlande de Lassus’s exquisite five-part Lamentations and William Byrd’s haunting Ne irascaris Domine and Civitas sancti tui, to the contemporary voices of James MacMillan and Cecilia McDowall. A new work from Ninfea Crutwell-Reade, specially commissioned for our a cappella consort during the period of lockdown, completes the programme.
Programme
Orlande de Lassus
Hieremiae prophetae lamentationes (quinque vocum)
William Byrd
Ne irascaris Domine / Civitas sancti tui
James MacMillan
Miserere
Ninfea Cruttwell-Reade
Vigil I (world premiere)
Cecilia McDowall
I know that my redeemer liveth
Rudolf Mauersberger
Wie liegt die Stadt so wüst