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Monteverdi Vespers 1610 – BBC Radio 3 Record Review

BBC Radio 3 Record Review

The standard of solo singing is outstanding, beautifully ornamented.

Monteverdi Vespers 1610 – The Herald review

The Herald

Stripped back performances under John Butt that are fresh and luminous, lithe and alive.

Kate Molleson, Top 20 Classical Albums of 2017

Monteverdi Vespers 1610 – Observer review

Observer

The recording sounds fresh and clear, emphasising transparency without a big reverberant acoustic.

Full Review

Monteverdi Vespers 1610 – Financial Times review

Financial Times

Informed by a judicious weighing-up of current scholarship, Butt’s performance is often one voice to a part, giving the music an intimate feel … a virtuoso display of individual talents.

Full Review

Monteverdi Vespers 1610 – Mail on Sunday review

Mail on Sunday *****

Any recording by Butt is an event. And this one, recorded with a small, hand-picked choir of ten voices, is special even by his elevated standards.

Monteverdi Vespers 1610 – Sunday Times review

Sunday Times

The Dunedin Consort’s 10 voices combine to make a magnificent choral sound.

Monteverdi Vespers 1610 – Gramophone review

Gramophone

With so many Vespers recordings out there, this one joins the ranks of those with both a character of its own and something to say.

Full Review

Monteverdi Vespers 1610 – BBC Music Magazine review

BBC Music Magazine

This compelling and insightful album is an outstanding contribution to Monteverdi’s 450th anniversary … Particularly effective is the coloristic sonority of the organ which, by employing the Hauptwerk system, reproduces the sound of an early Venetian instrument.

Monteverdi Vespers 1610 – Early Music Review

Early Music Review *****

Given the outstandingly tuned singing and ensemble, the result is to expose Monteverdi’s often dazzling counterpoint in rare detail and clarity … a finely conceived and splendidly executed achievement.

This is a first-rate recording … the sounds of the Dunedin’s strings and His Majestys Sagbuts and Cornetts are exceptionally well-blended and beautifully captured in this intelligent and well-produced recording.

Full Review

Monteverdi Madrigals – The Scotsman*****

‘This performance of a selection of steamy, love-related madrigals by the Dunedin Consort, directed by tenor Nicholas Mulroy, was both technically astounding and profoundly moving… Accompanied by the theorbo, Mulroy almost made torment sound pleasurable in the jaunty triple-time Si dolce è ‘l tormento, which could easily pass for a pop song today. Monteverdi constantly pushes his singers out of their comfort zones, well beyond the ranges we would recognise today, and these outstanding singers delivered every note with aplomb.   Read the full review >>>

Bach Cantata BWV 174

Edinburgh International Festival – “poise, confidence and some superb singing”

The Scotsman ****

Filling them with poise, confidence and some superb singing with the ever-excellent Dunedin ­Consort, Alder, still under 30, is a name assuredly on the up and one to keep a close eye on.

 

Full review here

Monteverdi Vespers – Lammermuir Festival

The Scotsman *****

[Butt] brought an astonishing richness and smoothness to his Dunedin forces’ sound… By the walls of sound in the closing Magnificat, the Vespers felt overwhelming in their grandeur, but there was something to savour in every moment. It is hard to imagine a more exquisite, deeply felt performance.

 

Full review here

Monteverdi Vespers – Lammermuir Festival

The Herald *****

 

This richness and variety shone through in this superbly stylish and joyful performance from Dunedin Consort and His Majestys Sagbutts & Cornetts directed from the organ by John Butt. The Vespers is a lengthy work, but here delivered with the Consort’s trademark energy, the momentum was never allowed to falter… All told this was an exhilarating performance and it was rapturously received by the capacity audience in St Mary’s.

 

Full review here

Hor Che’l Ciel e la Terra

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