Ian Stuart-Hunter St John’s Kirk, Perth – 19 Sept 2014
Perth performances by the Dunedin Consort under their inspiring Director John Butt have always excelled, but their Friday performance of Handel’s pastoral Acis and Galatea topped this. As John Butt said in his witty introduction: only two things happen in this piece: an hour and a quarter in Acis is flattened by a rock then quarter of an hour later he is turned into a fountain. The End. Acis and Galatea is criticized as a procession of da capo arias, an A section, a shorter contrasting B section, then A is repeated. A recipe for boredom? Not when the repeated section is given such inventive ornamentation as done by all of the singers. There was too a great deal of musical quality and delight in the 90 minutes. This started with a lively reading of the bustling Overture, John Butt standing at the harpsichord as the presiding genius, beaming and gesticulating inspiration to the players. A particular pleasure was Frances Norbury in both solo oboe and solo sopranino obligati. The five soloists had powerful and exciting depth of sound in the opening chorus The Pleasures of the Plains. Joanne Lunn entered as the nymph Galatea, then the first of the bird imitations from the recorder. Accuracy, beauty of tone, dynamic range, clarity of diction all played a convincing part.